Ch 5 & 8
5 -Revealing Shape and Contour
-depth is the third necessary dimension for using light in
photography
-visual clues à
using contour to determine the visual
-perspective distortion: paying attention to length and
angles to seem more realistic
-viewpoint determines perspective distortion and angles that
cause direct reflection
-we are able to determine that a faraway object is not necessarily
small
-perspective distortion allows us to perceive depth
-closer the camera, the greater the distortion
-farther the camera, less the distortion
-tonal variation à
light and dark areas in the subject
-highlights and shadows are determined by the size and
position
-clouds are good at diffusion
-increase the size of the sunlight source
-the closer a light is to the subject, the softer the
shadows are
-moving a light farther from the subject increases its
contrast
-the closer we move a light to the subject, the larger the
light source becomes in relation to it
-least distracting place for shadow is direction under and
in front of the subject
-using a different variation of tone in the background can
add depth
-lighting ratios are determined by the specific subject and
personal taste
-using a dark background can eliminate glare
-overhead light can reflect the top of the subject
-keep as much light as you can from the background
8 – An Arsenal of Lights
-main/key light: light that provides most of the
illumination for any portrait
-the size of the light influence the texture
-faces have more complexity therefore we have to position
the light so there is shadow on one side of their face
-focus on flat lighting to show less facial contours (place
light near camera)
-helps to focus on the dominant eye
-illuminating the hair can add depth
-hair light: used for highlights that separate dark hair
from a dark background
-rim light: illuminates the edges of a subject
-do best to compensate for light lost by dark skin or
clothing
-gels can be used to accentuate certain colors for the feel
you want for the piece
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